Star Scene

Star Scene Trish Young – The Clouds

Having formed in Sydney in 1989, The Clouds emerged along side an indie-pop resurgence of the time emanating largely from Sydney in conjunction with Triple J radio beginning its national broadcasting. Local content was high on the rotation and bands such as The Clouds, The Falling Joys (from Canberra) and The Hummingbirds featured prominently. TV programs such as Rage and Recovery were in full flight as Countdown Revolution and The Factory were winding down. It was a new chapter for Australian art/indie rock pop in which melody and female musicians and vocalists were influencing and giving voice to many young women who at the time in Australia, had been largely left to toil in the shadows.

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Q&A Scene

Q&A Scene: Michael Paver from BATS

BATS deliver Truthless. This follow’s the previous singles Tarantula & 24 Hours, which were spun on Triple J, added to Double J, Community radio and Rebel FM.

Truthless is an unrelenting and unhinged guitar driven track that pushes sonic explorations of chaos to the point of obscenity. The title “Truthless” is one half of the forthcoming album release by BATS called “Truthless Faithless”.

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Snap Scene

Snap Scene: The Magnetic Fields at the Melbourne Festival – Hamer Hall – Saturday 21st October 2017

On February 9th 2016, Stephin Merritt, the man who is The Magnetic Fields, sat down and wrote a song. The day was his 50th birthday and there were 49 more songs to follow, one for every year of his life on earth so far. Released in March this year as The 50 Song Memoir album, it’s an autobiographical concept album that tells an entertaining story both musically and lyrically. As part of the Melbourne Festival, Merritt and his band, opened the book of memories and in the first of two nights at Hamer Hall, proceeded to regale and beguile the audience with musical tales from the first half of his life.

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Review Scene

Review Scene: The Magnetic Fields at the Melbourne Festival – Hamer Hall – Saturday 21st October 2017

We heard how he stayed up late watching tv in ‘Hustle ‘76’ and subsequently ordered the compilation album of the same name (which he informed us actually never arrived!). He started his first band in ‘The Blizzard of ‘78’ and got big laughs from the line “At rehearsal we made The Shaggs sound like Yes”. The audience was clearly on his wavelength. Musically, the live band brought the songs to life flawlessly.

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