Q&A Scene: Charles Maimarosia

Charles Maimarosia HOTE' HOTE' album art

What can we expect from your upcoming album, Hote’ Hote’?

Hote’ Hote’ is an album deeply rooted in the traditions and emotions of voyaging. It reflects on how our ancestors didn’t just walk from island to island—they navigated the vast Pacific using knowledge passed down through generations. The songs capture the feeling of being at sea, the connection between the ocean and the soul, and the wisdom carried in our ancestral stories.

This album is not just about travel in a physical sense—it’s about the journeys of life, the courage to move forward, and the longing for home. Expect a blend of traditional Are’are rhythms, poetic storytelling, and contemporary elements that honor my cultural heritage.

What’s your favorite work at this point in time? (Your own work)

Right now, Hote’ Hote’ is my favorite because it embodies so many emotions tied to voyaging, belonging, and identity. It reminds me of the journeys our ancestors took and the journeys we still take today—whether across the ocean or through life itself.

How would you describe your sound in food form and why?

If my music were food, it would be a tropical feast—fresh seafood grilled over an open fire, sweet island fruits like mango and pawpaw, and coconut cream-infused dishes. Why? Because my music, like these flavors, is deeply connected to my homeland, the ocean, and the traditions passed down through generations. It’s natural, rich, and full of life.

Tell us a quick, on-the-road or studio anecdote.

One time, I was recording in the studio, completely lost in the moment, playing my bamboo flute. Suddenly, I opened my eyes, and the entire room was silent. The producer and the engineers had stopped what they were doing, just listening. When I finished, there was a pause, and then someone whispered, “That sounded like the ocean was singing.” That moment reminded me of the power of music—it can transport people, connect them to nature, and stir something deep inside.

What, or who, inspires you?

I’m inspired by my ancestors, my parents, and the elders who passed down the traditions and stories of the Are’are people. My father, who made me my first ukulele from a coconut shell, played a huge role in shaping my love for music.

I’m also inspired by the ocean—it has always been my home, my guide, and my source of creativity. When I listen to the waves or watch the rhythm of the tides, melodies start forming in my head.

Which song do you wish you wrote?

There are so many great songs out there, but if I had to choose one, it would be Imagine by John Lennon. It’s a song that speaks of unity, peace, and a world without barriers—values I deeply believe in. Music has the power to bring people together, and Imagine captures that beautifully.

What’s next for you?

After Hote’ Hote’, I want to continue sharing Are’are music with the world. I’m also working on a cultural music program to help preserve and pass down the musical traditions of the Solomon Islands.

Touring is always part of my journey, so I’ll be bringing my music to different parts of the world, sharing our stories, and connecting with people from all walks of life.

What’s your scene?

My scene is the ocean, the village, and the stage. Whether I’m in my homeland listening to the waves, in a recording studio capturing the essence of Are’are music, or on stage performing for a global audience, my scene is always tied to storytelling, tradition, and the spirit of the Pacific.

Listen to Hote’ Hote’