Throwback Thursday: CD Review ~ BUTTERFINGERS: The Deeper You Dig

With the recent tour announcement of Butterfingers’ 15 Years of Fatboys, we throwback to a CD review by Mary Boukouvalas …

Butterfingers The Deeper You Dig…

(Valley Trash / Warner)

The deeper you dig into Butterfingers’ second release, the more musical layers you’ll find. Butterfingers (Eddie Jacobson, David Crane, Damian Green, Olly Thomas) continue in the same hip-hop/rap/rock genre as their first release, Breakfast at Fatboys, but with The Deeper You Dig they go a few schizophrenic steps further. Butterfingers’ hip-hop becomes funkier and more intense, their rap more mature and insightful, and their rock heavier – interspersed with skillful arrangements of punk, funk, ska, pop, and lots of wild distortion.

Loving a challenge, Butterfingers throw you a curve ball in the opener, Anthem, where they question what genre they could be slot into and how the media might analyse their music with the lyrics – “Punk rock ethic but funky copasetic / and poetically a headache to critics and the censors.” Unnecessarily primed with pre-emptive doses of Nurofen Plus, I found the lyrics and music eccentrically interesting and Butterfingers’ diversity refreshing. However, though Anthem trashes major music labels and the way the industry sometimes operates, in the liner notes the band does give credit where it’s undeniably due: thanking Dave Batty (Custom Made Touring) “for being the best booking agent that money can’t buy” and Jacobson thanks Michael Parisi (“you work for a major and I still loves ya”).

In the funk/hip-hop track Beautiful Music, Jacobson again sings about hardships in creating music: “Suffer for your art and let it take its toll / Do I have to make another sacrifice? / And sell my soul to anyone who could /Give me the power to have written and sung.” Many bands would relate. Beautiful Music also highlights Jacobson’s able vocals (he doesn’t just rap!), as does Ska Chase. Ska Chase in turn epitomises the consummate diversity of Butterfingers. Its frenzied fusion of ska mixed with bursts of heavy guitars is thrilling as we are taken on the ride of a lifetime through racism, where the song’s protagonist is forced to shoot his attacking police officer and then consequently flee to Mexico.

My favourite rock tracks are Happy Well Adjusted Psychopath, which is combined with fast pop guitars and has a late 60s/early 70s feel, and Everybody’s Ugly which uses pounding drums and distorted guitars as Jacobson hollers: “We’re fucking monsters in the light / everybody’s ugly if you give them a chance.”

On the hip-hop side, there’s FIGJAM which was released as a single in June 2005 and is now included on the album. Though familiar, it is still as infectious as ever with Jacobson sounding like an Aussie Mike Skinner – fortunately for the listener he hasn’t adopted a fake English (or American even) accent.

Hip-hop meets funk on Like Em When They’re Trouble and on Butterfingers’ current single Get Up Outta The Dirt. The latter is very upbeat, reminiscent of James Brown’s Get Up Off That Thing, both in rhythmic style and lyrical theme.

Though up for the challenge, Butterfingers’ instrumental track Turkey Jerk admittedly had me dumbfounded at first, especially after the intensity of the previous tracks. But after a few listens to the whole album, it was clear how well Turkey Jerk worked within the collection of tracks, adding a bit of down time with its melodic jive beat…although I kept thinking at some stage they would shout: “Tequila!”

So what genre do Butterfingers belong to? Is there a genre for eclectic coolness with a twist? Who cares! They rock!


First published in Beat Magazine, 2006

About Mary Boukouvalas 1614 Articles
Mary is a photographer and a writer, specialising in music. She runs where she endeavours to capture the passion of music in her photos whether it's live music photography, promotional band photos or portraits. She has photographed The Rolling Stones, KISS, Iggy Pop, AC/DC, Patti Smith, Joe Strummer, PULP, The Cult, The Damned, The Cure, Ian Brown, Interpol, MUDHONEY, The MELVINS, The Living End, Foo Fighters, Smashing Pumpkins, Rage Against The Machine, The Stone Roses –just to name a few - in Australia, USA, Europe and the Middle East. Her work has been published in Beat magazine, Rolling Stone magazine, Triple J magazine, The Age Newspaper, The Herald Sun, The Australian, Neos Kosmos,,,, She has a permanent photographic exhibition at The Corner Hotel in Richmond, Victoria Australia.