Q&A Scene: Tom Marvell ~ MARVELL

Tell us about your new single ‘Needle’?

Long story short, it’s written about our good mate and previous drummer BJ who was diagnosed with cancer and his battle of survival. It’s a heavy but uplifting song that takes you through all the motions ! 


What’s your favourite work at this point in time?  

 It would have to be the new song ‘Needle’, it’s by far the most personal and real song we have written and for the song to turn out the way it has means the world to us!

 How would you describe your sound in food form and why? 

 I’d say a 1kg ribeye with the bone in, a side of wilted greens and herb encrusted fries with pepper gravy. 

As to why, I think we started out as a steak and chips from the local pub but have transformed into a decadent succulent meal from a fine dining establishment where you go to spend a week’s pay on the meal of your life ! 


Tell us a quick, on the road or studio, anecdote. 

Every time we stay at a hotel in Canberra we ask for a printed out laminated photo of someone famous on our pillow to see if they read our requests, it all started with Patrick Swayze in his prime and they did absolutely deliver.


What, or who, inspires you?

John Farnham and Jimmy Barnes singing ‘When Something is Wrong with my Baby’ … pinnacle of Australian music right there!


Which song do you wish you wrote?

Bruce Springsteen : Glory Days 

I love the lyrics in that song, the way it’s sung, classic song !


What’s next for you?

Debut album! Just trying to raise some funds on a tour coming up early next year and hopefully be in the studio in 4-6 months time ! 


What’s your scene?

Thursday afternoon at the pub with a few mates after work. 




Sydney rockers Marvell have today announced their most powerful single to date – Needle, a true journey of a song that describes the hardships, trauma and impossible hope that accompanies a cancer battle, released today.  Accompanying the track is an equally affecting video, made in collaboration with Brae Fisher (Dear Seattle).  Needle precedes Marvell’s new EP, Comfort Is King which is set for release on December 9 – fans can pre-save the record now and Sydneysiders can check out the band’s dynamic live show when they play Avalon RSL on December 4.

Needle is one of those songs that sticks with you long after the first listen.  Bold, raw, defiant and brave, the track begins with a soft acoustic guitar and vocalist Max Marvell’s sole voice before interchanging vocals with his brother Tom in the second verse – symbolic in that cancer can be a lonely road, but a second voice joins in to support – then builds into a massive, full band climax, mimicking the often startling, always affecting journey that follows a cancer diagnosis.  For Marvell, the song is deeply personal, as Max explains, “We wrote Needle when our then-drummer BJ was battling testicular cancer.  We wanted to write about how we felt, imagining ourselves in his shoes and really trying to understand what he was going through, rather than just telling his story.  The track starts as something contemplative, going through the fear and the uncertainty then quickly evolving into a more powerful song, daring at the possibility of hope.  We wanted to blend the visceral, contradictory feelings of such a devastating situation with the sterile, procedural reality that we saw BJ going through.  All in all, this track aims to capture that feeling of staring down the barrel of something terrible, when all the odds are against you, and saying fuck it – I’m going to give all I’ve got to make it through.”

The video for Needle is a deeply rare experience – all the emotion of the song is beautifully, respectfully reflected in visual form through the story of a man trying to escape a bad situation.  Speaking on the conception of the clip, Max explains, “The video tells a symbolic story that relates to the lyrics and BJ’s battle with cancer, but also depicts the themes of struggle in a more general way.  We bounced around ideas and initially wanted to paint a very raw picture of cancer specifically, but decided that representing the themes in a more abstract way would allow the audience to dig a little deeper to find their own meaning.  We wanted people to empathise, rather than just be told a story.  We let Brae Fisher take the story and put his own spin on it, writing and directing a film that depicts a nameless man escaping from unknown captors.  We wanted to capture the desperation and panic of the escape as the man runs away from something that is unknown to the audience.”

Evocative of Australian rock legends Powderfinger, Paul Kelly, and modern influences such as Catfish and the Bottlemen and local heavy act Ceres, the EP, Comfort Is King, is demonstrative of a band in their element.  Secure in their sound, confident in their songwriting skill, the EP shines from start to finish – from the contemplative, emotional Needle, to the upbeat Ratalatat, to the sweet organ sounds of Honey and the stunning, gentle closer All Of It, this is true brilliance in the form of rock/pop songwriting.  Crunchy guitars pair perfectly with acoustics, pounding drums marry with the Marvell brothers’ harmonies – Comfort Is King has it all, as Max says, “Ultimately, we wanted to make a fun, energetic record, despite some of the other stuff that life had thrown at us and our mates, so that we could address all the painful parts that led up to this record while not letting it take us over completely.  We wanted to try and find the fun and the life amongst it all to keep us going and that’s what this record is about; acknowledging the shitty times but also remembering why we play and make music – because it’s a blast and brings us all together despite anything else.”

Needle is out today. Comfort Is King is out December 9 and available to presave here.

Marvell is Max Marvell (Vocals/Guitar), Tom Marvell (Vocals), Jesse Gaupset (Lead Guitar), Dylan Mitchell Frost (Bass), Theo Henry (Drums).

Listen: NEEDLE

About Mary Boukouvalas 1614 Articles
Mary is a photographer and a writer, specialising in music. She runs Rocklust.com where she endeavours to capture the passion of music in her photos whether it's live music photography, promotional band photos or portraits. She has photographed The Rolling Stones, KISS, Iggy Pop, AC/DC, Patti Smith, Joe Strummer, PULP, The Cult, The Damned, The Cure, Ian Brown, Interpol, MUDHONEY, The MELVINS, The Living End, Foo Fighters, Smashing Pumpkins, Rage Against The Machine, The Stone Roses –just to name a few - in Australia, USA, Europe and the Middle East. Her work has been published in Beat magazine, Rolling Stone magazine, Triple J magazine, The Age Newspaper, The Herald Sun, The Australian, Neos Kosmos, blistering.com, theaureview.com, noise11.com, music-news.com. She has a permanent photographic exhibition at The Corner Hotel in Richmond, Victoria Australia.