Q&A Scene

Q&A Scene: Nadisko

Nadisko formed during the Myspace glory days of mid-2008; an era when MGMT’s debut album was being blasted all over the radio and ultimate-cringe head-to-toe flouro attire was widespread. They quickly cemented themselves as premier resident DJs in Sydney, and from there they gained airplay on BBC Radio One for their debut EP, they supported Steve Aoki, Tiga, Uffie and heaps more massive names, remixed Peking Duk’s first EP, and played shows all across Australia, Europe and Mexico.

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Snap Scene

Snap Scene: Metal Church, Northcote Social Club 29th August 2019

Born out of the West Coast metal scene of the 80’s, Metal Church quickly became one of the standout talents of the genre. After signing a deal with Elektra Records, they released two critically acclaimed albums. Their self-titled release ‘Metal Church’ established the band as one of the pioneers of the thrash/metal scene and earned them a major tour with then label mates Metallica.

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Q&A Scene

Q&A Scene: Esme

Esmé draws upon influences from the speakeasy era, injecting soul into her phrases and inflections with her breathy tone and narrow vibrato. Each one of her songs is personalised with artistic production work, painting a colourful picture in audio as her voice floats above broken hip hop inspired beats, intimate electro sounds, swelling synths and deep melodic bass lines.

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Star Scene

Star Scene: Andrew Farriss

Andrew Farriss is releasing his debut country music offering, Come Midnight, from his forthcoming album slated for release in 2020. Considered one of the country’s best songwriters, Andrew is – and always has been – all about the music, and his varied body of work is testament to that. He actually penned Come Midnight back in the INXS days.

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Q&A Scene

Q&A Scene: Andy Campbell – AM Reruns

Melbourne modernist trio AM Reruns announce their debut self-titled LP, due 9 August and on vinyl from 23 August. Conceived by guitar player and singer Andy Campbell, AM Reruns’ 10 tracks of mod guitar music marry classic pop intros to the hyper-compressed structures of Red Bird 7″s: each song is brief, thrilling, noisy and vital. The result is an idiosyncratic take on ’70s LA punk rock with a sliver of Northern England drama.

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