Timeless and Electric
The return of Jesus Christ Superstar
As a kid in the 1970s, seeing my first live performance of Jesus Christ Superstar left a lasting impression – one that has stayed with me for years. So the anticipation of seeing Jesus Christ Superstar for the second time was huge, and to my relief, this bold, high-energy production did not disappoint.
Act 1 opens with dramatic lighting cutting across an industrial set of metal scaffolding, stark platforms, and an imposingstaircase. The urban, monotone costumes worn by both the ensemble and the lead actors recall a gritty, modern street style, immediately placing us in a world where ancient narrative meets contemporary lifestyle. From here, the audience is projected into the biblical story of Jesus’ final days, reinterpreted through a pulsating rock and funk-infused lens.
This gutsy, rock ‘n’ roll-fueled version of the show is relentless in its energy, with the story told entirely through Andrew Lloyd Webber’s music and Tim Rice’s iconic lyrics.At times, the heavy instrumentation and layered vocals makesome lyrics difficult to catch, but this was quickly overshadowed by the ensemble’s sharp choreography, which cleverly captured the full range of emotions throughout the show, from chaos and anger to tenderness and reflection.
The first act is dominated by Mahalia Barnes as Mary Magdalene, whose soulful, gritty vocals shine alongside the edgy rock vibe. Barnes delivers a tender, yet commanding,version of “Everything’s Alright”, and her emotionally charged performance of “I Don’t Know How to Love Him” is a standout moment of vulnerability and strength.
A key highlight comes in Act 2 with Michael Paynter’s rendition of “Gethsemane.” His performance is both vocally and emotionally strong, portraying Jesus’ internal struggle with raw intensity in what is arguably one of the most transformative scenes of the show. Following this is Reuben Kaye’s solo performance of “Herod’s Song,” where his flamboyant and satirical portrayal of Herod provides a sharp tonal shift, injecting humor and spectacle into the otherwise dark narrative. Kaye’s exaggerated, flashy performance commands attention and offers the audience a momentary breather before the story spirals back into its tragic course.
Javon King’s portrayal of Judas steals the act with hisrendition of “Superstar.” His powerful stage presence and vocal strength are perfectly matched only by the driving power of the rock band and the ensemble’s harmonies, bringing the show towards its dramatic conclusion.
Melbourne audiences are sure to be entertained and impressed with this production — one that, for me, captures the energy and boldness that first made me fall in love this show so many years ago.
