Scene News: THE LEMONHEADS Announce Tour Supports


Beloved alt-rockers The Lemonheads return to Australia this December and today Handsome Tours  announce the tour supports. Special guests for the tour are The Restless Age with local supports in each city.

Since they were formed in Boston, Mass, in 1986 by Evan Dando, the family tree of The Lemonheads has many twisted tentacles and tangential branches, and a host of one-liners etched into its bark. Anyone could be a Lemonhead but for how long who knows? Leastways they’ll be shoulder-to-shoulder with Evan throwing discordant chords against alt-country-tinged melodies, playing that light and dark card. Through their ranks passed DescendentsBlake BabiesDinosaur Jr. and members of Fuzzy.

In 2019, The Lemonheads returned with “Varshons 2”, their tenth studio album. Evan is at the helm with producer Matthew Cullen also on guitar and siren, Come and Codeine’s Chris Brakow supplying guitar and Willy Mason and Nina Violet sitting in. It’s another mixtape in a different kitchen placing the oddball and the unsung next to The Eagles and Nick Cave. Where else could you hear the music of Tom Morgan’s short-lived Givegoods, English curmudgeons The Bevis Frond and Lucinda Williams so seamlessly joined at the hip?

The Lemonheads will be making stops in Fremantle, Adelaide, Sydney, Brisbane, Melbourne, as well as appearing at this year’s Fairgrounds Festival in Berry.

The Lemonheads Australian Tour 2019
Freo Social, Fremantle WA
with guests The Restless Age and The Money War


Lions Arts Factory, Adelaide SA
with guests The Restless Age and Paradise Club


Fairgrounds Festival, Berry NSW
Oxford Art Factory, Sydney NSW
with guests The Restless Age and 100


The Zoo, Brisbane QLD
with guests The Restless Age and PLTS


Corner Hotel, Melbourne VIC
with guests The Restless Age and Murmurmur


Tickets on-sale at

“Dando is still able to make his old songs shine…and other people’s, for that matter.” Counteract

“…with their bubblegum melodies and wearily melancholic cores, (The Lemonheads) make pop-rock gold of low-stakes emotions rarely memorialized so tenderly in song” Boston Globe

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