Since its inception in 2007 ‘The Studio’s In The City’ has been home to some of Australia’s finest acts, producers and engineers.
Located in Melbourne’s iconic suburb of Brunswick (which appropriately hosts the highest concentration of songwriters in the Southern Hemisphere according to APRA) the recording studio has been responsible for producing a plethora of top charting records. Acclaimed alumni include Calling All Cars (Top 20 Aria Debut, Triple J Album Of The Week) Villainy (2 x top ten album debuts) Young And The Restless (J Award – Unearthed Album Of The Year, Triple J Album Of The Week) High Tension (ARIA nominated), The Getaway Plan, Northeast Party House and The VANNS. It has also seen legendary producers Matt Lovell (3 x ARIA Engineer Of The Year, Eskimo Joe, The Mess Halls and Shihad) Jaz Coleman (Killing Joke).
James Lewis (Arctic Monkeys / CeeLo Green / Charli XCX), Kurt Ballou (Converge / Kvelertak / Four Year Strong) frequent it’s facilities alongside the permanent all-star cast of engineering production and mixing wizards Samuel K and Jon Grace.
At the helm for the past decade has been none other than founding Shihad member, legendary producer, VVV Mgmt (Killing Heidi, The Vanns, Dear Seattle, Darren Middleton, Eliza and the Delusionals) and Signal Artist Development Accelerator head honcho plus general all round top bloke Tom Larkin. “I founded the studio’s in 2007 when I happened upon a project studio for long term rent – I moved a ramshackle amount of equipment in there and began work straight away on the debut album for a band called Young & Restless, that record went on to win a J award for Unearthed Album Of The Year”. Known for its nurturing environment, the studio has garnered a well-deserved reputation as the best in the biz.
“I’ve been lucky enough to have worked in some of the world’s most renowned studios, yet nothing really compares to the warm, welcoming and creatively nourishing environment. I feel very much at home there” Matthew Wright The Getaway Plan
A recent upgrade to the the API 1608 console takes Homesurgery Recordings to yet again another level; “The sonics of the API 1608 make it feel like the console was tailored for Homesurgery. Wide and punchy has always been our M.O and this thing delivers in spades. It is also remarkably easy to use when you consider the wealth of on-board features it provides, and its plug-and-play nature makes it a phenomenal creative tool” Jon Grace. Producer/ Mixer Samuel K elaborates“As a fan of big bass, huge punch, distortion on everything and a massive stereo image, the API suits me perfectly. I felt a connection with the thing as soon as it arrived and that connection continues to grow with each session. We’ve been through a lot of center stages at Homesurgeryand the API is the first one that made the studio sound bigger. Like, ‘holy shit!’ big.”
Homesurgery Recordings borrows from the legacy and experience of the past decade, with killer gear, in a great room, allowing artists imagination to take flight. “We have now arrived at a point where that manifesto now flows through the whole studio, it made sense to refocus the team and the studio under the ‘Homesurgery’ banner. Its a name that speaks to both the our collective respect for craft and detail, through to the ethos of providing a comfortable. relaxed and creative environment around the artist”. Tom Larkin.