Scene News: EVEN ‘Reverse Light Years’ album launches – Adelaide postponed, Sydney to proceed this Friday

EVEN postpone Adelaide launch for REVERSE LIGHT YEARS but confirm their Sydney launch – this Friday January 7 – will proceed, and their run of late January Melbourne launches remains on track
Click to image to watch Even’s latest single ‘Cherry Afterglow’ on YouTube and share
Melbourne indie-rock legends EVEN, fresh from two rapturously received XMAS EVEN shows in Melbourne, and still celebrating their best-ever ARIA Album Chart debut (#18) and a Double J Feature Album for their first-ever Double-LP REVERSE LIGHT YEARS, have been forced, for obvious reasons, to postpone their Adelaide album launch which was set to happen this Saturday night (Jan 8) at Jive. Ticket holders should note that tickets will be valid for the rescheduled show when it happens, or they can contact the point of purchase for a refund.

Fortunately, the group has been able to confirm that their Friday Jan 7 Sydney launch – that’s this Friday – at Mary’s Underground, with support from T.Wilds, WILL proceed.

The Sydney launch will be followed by a run of Melbourne album launches late in the month.

The four Melbourne shows are the same shows that were originally slated for the Queen’s Birthday Weekend 2021, and which have been rescheduled a few times since then. The premise of the four-show run, originally consecutive shows in the North, South, East and West of the city, was to celebrate the great rock’n’roll city that is Melbourne; that premise remains the same, but now the group has a great new album to celebrate too. And they’ve added an extra show an hour out of town in Macedon.

REVERSE LIGHT YEARS has been the subject of perhaps the best press of the band’s career – which is saying something for a band that has already been around for a quarter of century. Most notable was an effusive 5-star review by The Guardian’s Andrew Stafford.

“The Melbourne band’s eighth album is their best yet – a musical cornucopia of glam stompers, magnificent power pop and epics… This might be the best double album in its field since Paul Kelly’s Gossip. ***** “ – Andrew Stafford, The Guardian

“This is music to get lost in…” – Martin Boulton, The Age

“If you like guitar-driven pop-rock in just about any form, you’ll almost certainly find something for you here … You could think of ‘Reverse Light Years’ as something of a sampling platter, but that doesn’t do justice to how harmoniously these songs live together. ” – Dan Condon, Double J/ABC.net.au

“’Reverse Light Years’ is immense in every sense – 17 tracks that sparkle and shine with varying influences sharing a common thread; an ear for melody and a knowing sense of fun and excess. Guitar-based jangle pop that flexes its muscles and strikes a pose.” – Arun Kendall, Backseat Mafia

“If you need any proof of Naylor’s guitar genius, all you have to do is listen to Even’s new album, ‘Reverse Light Years’.” – Jeff Jenkins, Rhythms

“REVERSE LIGHT YEARS” ALBUM LAUNCHES
FRI JAN 7 – MARY’S UNDERGROUND, SYDNEY w/ T. Wilds – TIX

TUE JAN 25 – LEADBEATTER HOTEL, RICHMOND , VIC w/ Meghan Maike –TIX
WED JAN 26 – NORTCOTE SOCIAL CLUB, NORTHCOTE , VIC (Matinee) w/ Fenn Wilson – TIX
THU JAN 27 – RAILWAY HOTEL, MACEDON, VIC w/ Moody Beaches –TIX
FRI JAN 28 THE ESPY (GERSWIN ROOM), ST KILDA VIC w/ Cahill Kelly TIX
SAT JAN 29 – HOTEL WESTWOOD, FOOTSCRAY, VIC w/ Imperial Leather TIX

EVEN‘s Reverse Light Yearstheir first ever DOUBLE album – is out now on El Reno Music. The album is available now on Double CD and digitally – unfortunately, due to worldwide pressing delays, the gorgeous vinyl Double LP editions won’t be available until early in the new year. Reverse Light Years is the long-extant band’s first new album proper since 2018’s Satin Returns, and is a record that reveals stunning ambitions and a feast of radiant guitars and melody.

The album’s release follows that of two singles. Most recent was “Cherry Afterglow”, and before that “Six Monkeys”, which was automatically playlisted by Double J. “Six Monkeys” was a full-bodied heavy hitter built on a simple but irresistible lick that defines the term ‘jangle pop’; “Cherry Afterglow” is a more atmospheric but no less enrapturing. The new double album Reverse Light Years covers the full range of Even flavours, and introduces some delicious new ones.

EVEN of course are the beloved brainchild of prolific guitarist/singer/songwriter Ashley Naylor. Naylor is also known to an ever-widening audience as the guitarist in Paul Kelly‘s band as well as a long-time member of the Rockwiz Orchestra; he’s also now joined Vika & Linda‘s band is all over their new record. Ash is also a long-term member of Dom Mariani’s great garage/power pop outfit The Stems , co-fronts high-concept ’60s covers band Thee Marshmallow Overcoat alongside Stems bandmate/You Am I guitarist Davey Lane, and recently he became a permanent member of The Church; having replaced co-founder and lead guitarist Peter Koppes in 2019. He was finally able to play his first show with The Church in April this year. As if all that wasn’t enough, Naylor also released his first all-instrumental solo album, Soundtracks Volume 1, late last year.

Naylor and Even bandmates, bass player and backing vocalist Wally Kempton and drummer Matt Cotter, have also backed Split Enz’s Tim Finn and Sports’ Stephen Cummings. Bandmates since the beginning – the original Even trio has remained unchanged since the group’s 1994 beginning – Wally and Matt aren’t exactly under-achievers either. In addition to his musical duties, Kempton is the band’s booking agent as well as long-time bass player for Melbourne punk legends The Meanies and the proprietor of the groovy Cheersquad Records & Tapes label. Cotter, who recently joined Meanies frontman Link McLennan’s new outfit Bagful of Beez, also works as a sculptor, painter and model maker in film and television – he’s worked on a couple of Star Wars films – and has recently spent the best part of a decade in indigenous communities in the Northern Territory working with local artists.

Reverse Light Years is the band’s eighth album, not counting compilations including last year’s covers collection Down the Shops. It is very much a product of Melbourne’s on-again/off-again lockdown – a lockdown which has seen Even unable to play (although they did squeeze a couple of pre-Xmas shows in last year) and which, although the band did venture into a studio when circumstances allowed, enabled Naylor to make great use of his home studio setup.

“Some of our previous albums have been partially recorded in my home studio space but this record was very different for obvious reasons,” explains Ash. “No deadlines other than those self-imposed and no watching the clock. This freed me up to explore and indulge. The relative privacy of the home studio space afforded me the luxury to go deep into another world without distractions often attached to the recording process.”

The result of this exploration and indulgence is clearly the band’s most ambitious album to date; a fuller realisation of ambitions hinted at on the previous tracks like the last album’s “Return To Stardust”. It is an ambition that is perhaps the inevitable result of such a long time in the game, and the result of immersion in more ambitious music.

“I was listening to the Hendrix ‘Band Of Gypsies’ Fillmore box set and ‘Electric Ladyland’ a lot in 2020,”explains Naylor again. “I had a massive Jimi Hendrix phase in my teens which has occasionally inspired certain solos over the years. The plaintive strumming side of my brain often gives way to an uninhibited freer style of playing. The freedom an artist such as Hendrix expressed creatively has been a major influence on my approach to certain tracks, affording myself the freedom to play what comes to mind, like at the end of ‘Gold Sunday” where I just pressed record and went for it. I left the fluffed notes in as well.”

There is plenty on the album to please fans of Even’s old stuff too. “Six Monkeys”, the album’s first single back in June, was an instant smash with lovers of hook based early Even hits like “Stop & Go Man”, “Black Umbrella” and “Mayfair Laundry Bus”. There are plenty of tracks in that style on the album: the likes of “Cinnamon Edge”, “Be Still” and “Dandy Stomp” will all surely be vying for singles contention in coming months.

Indeed, the idea in doing a double album was not just about affording the group freedom to stretch out, but to accommodate the full range of Even’s inclinations. As Naylor explains, “A double album is a bold artistic mindset as much as it is just a longer than usual collection of songs. The aspirations for the band can be either lofty or very basic, or both… Once you’ve committed to the idea of a double, it frees you up to add songs that may be shorter or longer than you might normally place on an album, knowing you have created the sonic real estate to cater for it.”

“I’ve had ‘Electric Ladyland’ for many years,” he continues, evoking Jimi again. “But I rarely played all four sides in succession. 2020, in all its ‘enforced inactivity’ as I call it, enabled me the chance to go back and listen to every nuance of that album and re-discover tracks I may have overlooked the first time round. That’s another advantage of releasing a double: over time certain tracks emerge from the track listing and gain new found status.”

“I’m not expecting people to sit through the whole record in one go but hopefully it is sequenced in such a way that the intermissions between sides afford the listener a break, kind of like watching four quarters of footy.”

Order “Reverse Light Years” here – https://even.bandcamp.com/

EVEN’s new double-LP, Reverse Light Yearsis out now
via El Reno Music.
https://even.bandcamp.com/

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